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| Narrative Lead | Uses the techniques of fiction to set the scene, create atmosphere, and otherwise engage the reader. |
| Contrast Lead | Before and after, yesterday vs. today -- these and other contrasts can be colorful. |
| Staccato Lead | It originated as a technique of advertising writing and is now occasionally useful in news writing. |
| Direct Address Lead | With this lead the word "you" is usually the first word in the story -- it tries to grab the reader by the coat lapels to arrest attention. |
| Quote Lead | This is a very useful way to begin a press release that uses the full personality of your lead characters. |
| Question Lead | Readers' curiosity can be aroused with the right question, though this lead can change the tone of your story. |
| Extra Credit Assignment | After you've read the above links about the different types of delayed lead, take this last link to the extra credit assignment and try your hand it it. |
Narrative LeadReporters love narrative leads -- of course, they'll probably work from their own scenario, not yours -- and you see this sort of thing a lot in today's newspapers. Many of the techniques of fiction can be usefully applied -- a vivid or atmospheric setting, colorful character description, a lively event. Like all leads, it can be more than one paragraph, in addition to the "nut graf" shown here.
Contrast LeadThe contrast lead is often written in two parallel paragraphs, one stating the "before," the other the "after". There are many other possible contrasts -- of size, of age, of intensity -- almost any dimension that your subject possesses. Usually the order is to use the first reference to talk about what your subject is not and the second, just before the lead-in to the "nut graf," to talk about what your subject is , as in the following example.
Staccato Lead
This is an abrupt spattering of rapid images that creates a
context without much syntax -- that is, it appeals at a basic
level to our appetite for images, and gets the reader in a frame
of mind that will help us communicate our message.
It can be really irritating to editors, and it's important to
get to the "nut graf" right away.
Direct Address LeadBy appealing to the reader head-on, you can often get right to the point of your press release. Or you can go in a more narrative direction, as in the example here. Be careful that you don't let a direct address lead steer you into the use of advertising-style appeals to your reader. You are writing news, not ad copy.
Quote LeadThe quote lead allows a personality to enter the stage, complete with enthusiasms, opinions, and other influences that you couldn't allow in straight news copy. Readers like to see those quote marks -- they're a cheery sign that there are people and not just ideas in this story. Be sure you don't waste the quote. Use the quote to advance the story and convey information, as well as attitude or point of view.
Question LeadThis is another lead that reporters like to write, and so it's another reason why you probably should stick with a straight summary lead so the reporter can be the "creative" one. (Actually there are few writing styles more creative than an effective summary lead that conveys the publicist's message combined with a sharp news angle.) Again, be careful that you don't stray into ad copy when you begin with a question lead.
Now let's put all this knowledge to work! (Go on to the next
page.) |
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